THE DUAL HORIZON.
Commercial pilot in the skies. Director behind the lens. Operating at the exact intersection of cockpit precision, high-velocity automotive cinema, and 200M+ viral storytelling.
FLIGHT DECK DISCIPLINE. CINEMATIC ADRENALINE.
COMMERCIAL PILOT PRECISION
Operating at 12,500 feet requires ruthless checklist discipline, instant risk calculations, and complete calm under changing meteorological conditions. There is zero tolerance for error, zero room for assumptions, and every system has a triple-redundant fail-safe.
HIGH-VELOCITY CINEMA ADRENALINE
Bringing that same cockpit calm into high-stakes production: suction-mounted chase rigs tracking McLarens at 100km/h, choreographing 1950s Neo-Noir chiaroscuro shadows, and engineering viral motion that captivates hundreds of millions of eyes across digital media.
ENGINEERING MOTION THAT COMMANDS GLOBAL ATTENTION.
Hi, my name is Krishna and welcome to my portfolio.
I am a digital content enthusiast who likes to capture motion that inspires us to consider our relationship with artists, automobiles, and consumer brands.
Layered by adventure, adrenaline, and lifestyle subjects, I am known as the guy who geeks at automobiles, cameras, and cinematography that punctuate aesthetics. Through social media, I strive to share my vision of storytelling with millions of people and inspire them to explore for themselves what life has to offer!
My creative quirks and traits have earned me opportunities to work with top social media influencers, brands, artists, and athletes, gaining a combined view count of over 200 Million on social media.
THE CAREER FLIGHT PATH: 2017 TO PRESENT
From guerrilla YouTube alleyway skits to 10M+ view studio campaigns, independent noir lighting studies, and Tier-1 brand collaborations with Forbes Australia.
Forbes Australia Video Producer & Marquee Summits
SONY FX6 // AFTER EFFECTS // VIP INTERVIEWSLed high-end video production, motion graphics, and social content for Forbes Australia. Collaborated directly with McLaren, Range Rover, AHOY Yachts, Sydney Luxury Aviation, and keynotes at ICC Sydney.
Dynamic Rolling Rigs & Supercar Cinematography
SUCTION CHASE RIGS // SPEED RAMPS // EXHAUST FOLEYBorn out of lockdown isolation experiments, scaled into a high-octane automotive media enterprise creating cinematic reels for exotic marques, luxury owners, and automotive partners.
Director of Photography — 'Untitled' (1950s Noir)
35MM PRIMES // LOW-KEY CHIAROSCURO // STORYBOARDSLensed a 1950s psychological home invasion thriller presented in high-contrast black & white. Handcrafted Photoshop storyboard panels, lit with low-key chiaroscuro setups, and completed the festival cut.
Lead Video Producer — 200M+ Digital Impressions
200M+ VIEWS // HIGH-PACING EDIT // MULTI-PLATFORMSpearheaded viral digital video production with internet creators Jamie Zhu and Jackson O'Doherty. Directed guerrilla street skits and brand campaigns including Fifty Shades of Grey (10M+ views).
FRAME-BY-FRAME ON SET
Behind the camera monitors, on location with actors and supercar rigs, and live on stage at major business summits.
24ADirector of Photography Krishna on set with 1st AD & camera crew
25ARigged Cinema Camera with follow-focus & matte box
26AOn location shooting comedy skits with Jamie Zhu (200M+ Views)
27AFilming Forbes Australia Business Summit live stage at ICC Sydney
THE CAMERA ARSENAL & PIPELINE
Hardware engineered for cinema velocity. Calibrated optics, rigid vehicle tracking mounts, and pristine post-production color science.
Sony Cinema Line & High-Speed Sensors
Sony FX6, FX3, and A7S III capture systems delivering 4K at 120fps high-frame-rate capture, dual native base ISO (800 / 12,800) for extreme low-light fidelity, and 10-bit 4:2:2 ProRes / 16-bit RAW color science.
High-Speed Rolling Suction & Gimbals
Tilta Hydra Alien suction-mount car rigging for dynamic rolling supercar chase angles, DJI Ronin 4D motorized 4-axis stabilization, and wireless high-torque follow focus setups operating under high G-forces.
Full-Frame Cine Primes & Anamorphic
Wide-aperture cinema prime lenses (24mm, 35mm, 50mm, 85mm T1.5), customized anamorphic flare elements delivering widescreen streak highlights and oval bokeh, with magnetic circular polarizing filters.
DaVinci Resolve & After Effects Lab
Blackmagic DaVinci Resolve Studio color grading under ACES color management, Adobe After Effects kinetic HUD typography, custom audio waveform sync, and precision speed-ramp choreography.
THE THREE RULES OF DIRECTING
KINETIC MOTIVATION
Every camera move must be motivated by narrative velocity.
A gimbal slide, a rolling rig whip, or a snap-zoom is never decorative. The camera moves only when the subject's adrenaline demands that the audience lean forward.
FLIGHT-DECK REDUNDANCY
Aviation checklist discipline applied to every film set.
At 12,500 feet, you never take off without verifying fuel, ballast, and flight surfaces. On set, every shot has dual-slot card redundancy, double-mic audio backup, and calibrated color targets.
ADRENALINE + AESTHETICS
High-octane velocity married to disciplined art direction.
From the exhaust flare of a twin-turbo McLaren to low-key noir shadows in the rain, commercial energy should never sacrifice gorgeous composition, deep blacks, and rich anamorphic bokeh.
HAVE A VISION THAT NEEDS CINEMATIC VELOCITY?
Available for direct commercial commissions, luxury automotive productions, brand campaign directing, and executive media engagements worldwide.