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2018
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Narrative Cinema
CAMERA SLATE // DCI 4K • 120FPS RAW
[CINEMA CASE STUDY // NARRATIVE CINEMA]

'Untitled' (1950s Noir)

35mm Neo-Noir Psychological Thriller

'Untitled' (1950s Noir) Official Cinema PosterOfficial Cinema Poster by Ian Z.
[CINEMA RELEASE // OFFICIAL PREMISE]

THE PREMISE & NARRATIVE

Presented in black and white, 'Untitled' is a callback to classic noir with a contemporary spin. As Director of Photography, I worked adjacent to my assistant cameraman Sam to create storyboards, shot lists, and realized the director's chiaroscuro vision to bring it to the screens with dramatic shadows, Venetian blind patterns, and anamorphic flare streaks.

[GENRE / SETTING]1950s Psychological Noir Thriller
[VISUAL TREATMENT]High-Contrast Black & White
[STORYBOARD PANELS]13 Custom Sketch Panels
Official Cinema Festival Trailer
FORMAT: 16:9 DCI/CODEC: PRORES 422 HQ/ACES LOG GRADE
[CLIENT / COLLABORATOR]Festival Short Narrative Film
[ROLE / CREDITS]Director of Photography
[CAMERA & SENSORS]Sony A7S II & Canon 5D Mark III
[OPTICS & GLASS]Cine Prime Lenses (35mm, 50mm, 85mm T1.5)
[TRACKING & RIGS]DJI Camera Stabilizers & Low-Boy Sticks
[PERFORMANCE / REACH]Festival Selection // 35mm Prime Cinema
[DIRECTOR'S DOSSIER]

THE VISION & ARCHITECTURE

Aviation precision combined with high-velocity motion cinematography and After Effects kinetic title sequences.

#Neo-Noir#Short Film#35mm Primes#Chiaroscuro#Storyboards#Black & White
01.

PREMISE & NARRATIVE ARCHITECTURE

This is a 2018 short noir thriller set in the 1950s, about a screenwriter who writes a home invasion thriller about a wife acting in vengeance against a killer named ‘The Man in Black’ after he slaughters her entire family. Presented in black and white, ‘Untitled’ is a callback to classic noir with a contemporary spin.

02.

DIRECTOR OF PHOTOGRAPHY COLLABORATION

As director of photography, worked adjacent to my assistant cameraman Sam to create storyboards, shot lists and understood the director's vision to bring it to the screens.

03.

TOOLS & TECHNICAL ARSENAL

Pre-Production: Adobe Photoshop was used to create storyboards. Production: Sony A7S II, cine prime lenses (35mm, 50mm, 85mm), Canon 5D Mark III, DJI Camera stabilizers. Post Production: DaVinci Resolve Studio high-contrast monochrome color science.

[PRODUCTION ROLL-CALL // THE CREW]

ON-SET PRODUCTION CREW

The production crew on set (left to right): Krishna, Chris, Elissa, Austyn, Michael, Sam, Claire, Nathan, Gemma, Daniel, Tessa, Jake.

'Untitled' (1950s Noir) Production Crew
Krishna (DoP)ChrisElissaAustynMichaelSam (1st AC)ClaireNathanGemmaDanielTessaJake
[VIDEO DELIVERABLES // YOUTUBE PLAYLIST]

ADDITIONAL CUTS & VIDEO DELIVERABLES (2 REELS)

Interactive director's cut playlist. Click any video deliverable from the queue on the right to load and watch it in the theatre player on the left.

Full Short Film Cinema Cut
REEL 02 / 021080P DCI // YOUTUBE
DELIVERABLES QUEUE2 REELS
CLICK TO PLAY IN THEATRE
[4K PRODUCTION STILLS // FRAME-BY-FRAME]

CINEMATOGRAPHY STILLS ARCHIVE

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